Here's the BPM sparkline, which looks funny due to the fast stuff I played right at the start of the night, to an empty room. Same with the frequency distribution, from which you may note that I kept things quicker than usual. Here's what I played:
- Swing, Brother, Swing - Willie "The Lion" Smith & His Cubs - Willie "The Lion" Smith And His Cubs - 2:51 - 230
- Yam Brown - Bob Hunt's Duke Ellington Orchestra - What A Life! - 2:43 - 225
- Number Two (none) - The Hot Club Of San Francisco - Yerba Buena Bounce - 3:42 - 180
- Yankee Doodle Never Went to Town - Chu Berry - Classic Chu Berry Columbia and Victor Sessions - 2:46 - 160 (A few people were just coming in at this point.)
- Comes Love - Duke Heitger - Duke Heitger's "Krazy Kapers" - 4:34 - 150
- Swinga-Dilla Street - Echoes of Swing - Harlem Reflections - 4:24 - 155
- That's What I Like - Julia Lee & Her Boy Friends - Kansas City's First Lady Of The Blues - 2:47 - 150 (There was a group showing each other 6-count moves in the corner, so I figured they would like some boogie.)
- Choo Choo Ch' Boogie - Louis Jordan & His Tympani Five - Jukebox Hits Volume 1 1942-1947 - 2:45 - 165
- On The Sunny Side of the Street - Benny Goodman - The Yale University Archives, Volume 3 - 3:11 - 135
- All Of Me - Gordon Webster - Happy When I'm With You - 4:07 - 150
- Baby, What's The Matter With You? - Roy Eldridge Quintet - Little Jazz Giant - 3:20 - 140
- Stuffy - Jonathan Stout & His Campus Five - Jammin' the Blues - 3:46 - 150
- Love Me or Leave Me - Banu Gibson - Let Yourself Go - 3:07 - 165 (This one was for Mary, and served as a transition from small-combo jazz to jankier stuff.)
- 8, 9 And 10 - Slim Gaillard - The Very Best Of - 2:43 - 175
- When You Wore a Tulip - The Baby Soda Jazz Band - Jazz Roots Elixir - 3:30 - 160
- I'm Alone Because I Love You - The Palmetto Bug Stompers - Live @ D.B.A. - 3:29 - 150 (And this one was for Jason.)
- Milenberg Joys - Gordon Webster - Live in Philadelphia - 3:45 - 185 (Holy House-rocking, Batman! This track is AMAZING. More on Gordon Webster soon. I was dancing during this song, and so didn't have time to adjust course: I should have pushed the tempo & energy higher on the next song, rather than let it fall.)
- Billie's Blues - Tuba Skinny - Tubaskinny - 3:19 - 135 (Now transitioning from jank to big band.)
- The Back Room Romp - Duke Ellington - The Duke's Men: The Small Groups, Vol. 1 - 2:49 - 150
- Vine Street Rumble - Ernie Krivda - The Band That Swings - 3:10 - 160
- King Porter Stomp - Kansas City All-Stars - KC After Dark - 4:38 - 170
- Ain't Misbehavin' - Louis Armstrong - Satch Plays Fats - 4:01 - 170 (This track is high-energy. I wanted to go up one more notch, but didn't want to push it immediately. Instead, I gave it a breather with the next song, which has a more relaxed feel even though it's not that much slower...)
- I Sent For You Yesterday And Here You Come Today - Benny Goodman - Benny Goodman - 3:09 - 160 (..then after that I kicked it up. This illustrates a pet theory of mine about how to climb tempos. I feel like it works, though I only have impressionistic evidence.)
- Undecided - Ella Fitzgerald - Live At The Savoy - 1939-40 - 3:06 - 210
- Shiny Stockings - Count Basie - April In Paris - 5:17 - 120
- They Raided The Joint - Roy Eldridge Sextet - Little Jazz Giant - 3:18 - 145
- Accentuate The Positive - Bill Henderson - Complete VeeJay Recordings - Vol. 2 - 3:19 - 120 (Not Lou Rawls.)
- St. Louis Blues - Benny Goodman - Very Best of Benny Goodman - 3:24 - 135
- Ya Gotta See Baby Tonight - Louis Prima - Louis Prima et son orchestre : 1945 - 2:24 - 145
- Blue Drag - Earl Hines - Swingin' Down - 2:59 - 140
- Dark Eyes - Fats Waller - Happy Birthday Fats Vol. 1 - 3:22 - 160 (Will I ever tire of this tune? I think not. But to brighten the mood after the last two--both of which were "dark" sounding--how about a shim-sham?)
- Tain't What You Do - Jimmie Lunceford - Jimmie Lunceford - 3:06 - 160
- Dipsy Doodle - Larry Clinton & His Orchestra - G.I. Jukebox, Original Hits from the Swing Era, 1938-1946 - 3:03 - 175 (After Dipsey Doodle, we had a "holiday burlesque" performance from Rachel & John. They called it "How Santa Got his Groove Back." Not to spoil the secret, but it ends on a rather Jewish note. Had I been quicker-witted, I would have followed up immediately with #36.)
- Bring It On Down - The Baby Soda Jazz Band - Cures Everything But The Blues - 2:34 - 175
- Madame Dynamite - Eddie Condon - Let's Swing It - 2:55 - 185
- Bei Mir Bist Du Schon - Slim Gaillard - Ice Cream on Toast - 2:10 - 180
- Don’t Be That Way - Chick Webb - Stomping At The Savoy - 2:35 - 205
I liked the Bill Henderson track...I think I was dancing with Mary and commented that it sounded very "LouRawlseque." Most of my Bill Henderson collection doesn't swing as well for dancing purposes, but fun to listen to.
ReplyDeleteThere were a few different versions of other songs I haven't heard before. I enjoyed the set.