The other problem was more of a mental block. I just couldn't get out ahead of my set, and often ended up choosing the next song at the very last second, just as the previous one ended. Because of this, I ended up kind of stuck in a narrow range of tempos and also chose a couple songs that made me go "ugh." For some stretches of the set, I'm pretty happy about the flow (for instance 9 through 12, 20 through 24), but on the whole it could have been better.
Here's a bpm sparkline and frequency distribution. And here's the setlist:
- Bye Bye Baby, Bye Bye - Barbara Morrison - Johnny Otis Presents Barbara Morrison - 3:16 - 135 (This was a birthday jam for two ladies, plus a going-away jam for our friend Andrea.)
- Splanky - The Solomon Douglas Swingtet - Live at the Legion - 4:31 - 135 (Right after 11 p.m., with these next couple songs I was trying to keep the tempos moderate but build up the energy, to encourage people to stay.)
- Down south camp meeting - Svend Asmussen & Jacob Fischer - Still Fiddling - 3:41 - 145
- Oo Poppa Do - Lavay Smith & Her Red Hot Skillet Lickers - One Hour Mama - 3:13 - 160 (Bit of a throwback tune--it crossed my mind because there were a couple of San Francisco dancers in the house.)
- Onion - Louis Jordan - Louis Jordan And His Tympany Five, 1938-1940 - 2:55 - 170 (Felt like things were peaking here, so I chilled out for the next one.)
- But Not For Me - Gloria Lynne - Hits Anthology - 2:36 - 120
- Don't Get Around Much Anymore - Clarence Gatemouth Brown - American Music Texas Style - 4:45 - 130 (Didn't like this choice.)
- Come On Over To My House - Jay McShann - Jumpin' The Blues - 2:52 - 145
- Ballin' The Jack - Kid Ory's Creole Jazz Band - This Kid's The Greatest! - 3:15 - 145 (This one seemed to go over well--better than I anticipated--and I stick with this sort of old, loose-sounding style for the next 3 songs.)
- South - The Solomon Douglas Swingtet - Live at the Legion - 3:17 - 182
- My Bucket's Got A Hole In It - Papa Bues Viking Jazzband - Live In Copenhagen - 3:36 - 135 (This track always goes over well. It can add a big jolt of energy to a room. From a Louis Armstrong imitator, I segue into the real thing...)
- Perdido Street Blues - Louis Armstrong - The Complete Decca Studio Master Takes 1940-1949 - 3:08 - 145
- Bar Fly Blues - Jay McShann - Jumpin' The Blues - 2:32 - 116 (This one was too mellow for the moment.)
- Easy Does It - Paul Tillotson the Love Trio - Lindy Hop Blues - 2:57 - 130
- Somebody Loves Me - Stuff Smith - Cat On A Hot Fiddle - 3:42 - 150 (The sound problems were particularly pronounced on this track. Stupid JRiver also froze on me, so I launched Winamp real quick...the next one was the first song in the Winamp playlist, so that's what I played.)
- Don't You Miss Your Baby - Jimmy Witherspoon - Jimmy Witherspoon & Panama Francis' Savoy Sultans - 3:55 - 140
- My First Impression of You - Chu Berry - Classic Chu Berry Columbia and Victor Sessions - 2:52 - 145
- Someday You'll Want Me To Want You - Catherine Russell - Cat - 3:13 - 145 (Didn't like how this worked--I was trying to get away from the jazz violin, but forgot that this track has one.)
- Six Appeal - Jonathan Stout and his Campus Five - Crazy Rhythm - 3:29 - 135
- Confessin' The Blues - Carrie Smith - When You're Down and Out - 4:36 - 120
- Frankie and Johnnie - The Ink Spots - Voice Masters Vol. 2 - 2:56 - 130 (This leads into two more tunes with harmonizing male vocals.)
- Soothe Me - The Simms Twins - Sam Cooke's SAR Records Story: 1959 - 1965 - 2:17 - 110
- Smack Dab In The Middle - The Deep River Boys - London Harmony - 2:59 - 130
- Shiny Stockings - Ella Fitzgerald & Count Basie - Ella And Basie! - 3:34 - 120 (This track is a pain because it starts really soft and then gets really loud, with blaring horn shouts, so you have to fiddle with the volume the whole time.)
- Perdido - Duke Ellington - The Blanton-Webster Band - 3:13 - 130
- Ain’t Misbehavin’ - Kay Starr - Kay Starr: the Best of The Standard Transcriptions - 2:04 - 139 (Whoops this one has a fiddle too. Should have used a big band vocal here, rather than a small group.)
- Le Jazz Hot - Jimmie Lunceford - Jimmie Lunceford - 2:44 - 140
- T'aint No Use - Benny Goodman - Benny Goodman - 2:45 - 155
- Evenin' - Count Basie - Count Basie at Newport - 3:32 - 165 (The mix was horrible on this track, you could barely hear the vocal.)
- Shotgun Boogie - Paul Tillotson the Love Trio - Lindy Hop Blues - 2:55 - 165
- Sugar In My Bowl - Miss Tess - When Tomorrow Comes - 3:15 - 105
- Trombone Butter - Dinah Washington - Dinah Washington Sings Bessie Smith - 3:34 - 100 (I wanted to play one more slower/blues-inflected tune. People danced to this one, but it would have been better to pick something that sounded less similar to the previous tune.)
- Hold It Right There - Eddie "Cleanhead" Vinson - Redux - 5:27 - 130 (Mix was pretty bad on this track too.)
- Sure, Had A Wonderful Time - Louis Jordan - Louis Jordan And His Tympani Five, Volume 1 - 3:00 - 135
- My Melancholy Baby - Honeysucklerose - Hep Cat's Best Of Modern Swing - 3:37 - 131 (Didn't like this choice. Too flat.)
- Life Begins When You're In Love - Billie Holiday - Lady Day: The Master Takes And Singles - 3:02 - 180 (Good choice for a final song, if I do say so myself. Janky, musical, and a vocal that makes you smile.)
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