I made use of some new eMusic finds in this set (fans of Hey Mr. Jesse will recognize a few tracks). I tried to balance that out as much as possible by using very familiar songs, but I think I may have still played too much new music for one night. On the whole the set was a bit scatter-brained, jumping around stylistically (you'll see that in some of the transitions). The flip-side of that is that I accomplished one of the things I always try to do as a DJ, which is to play a wide variety of sounds, styles, and tempos.
- Dipsy Doodle - Larry Clinton & His Orchestra - G.I. Jukebox, Original Hits from the Swing Era - 3:03
(At the start there was only one person there besides me. Fizz can be really unpredictable in that respect. I played a few random tracks from my collection.) - Mackie Messer - 8 To The Bar - Swingin It - 4:17
- That Ain't Right - Fats Waller - Last Testament: His Final Recordings 9-23-43 - 2:59
(I love this song, but I don't know if I would spin it at a dance. I figured I would test it out on an empty room. Three more people arrive.) - Sophisticated Swing - Engelbert Wröbel's Swing Society - Sophisticated Swing - 3:46
- My Blue Heaven - Stuff Smith Quartet - Swingin' Stuff - 3:46
(There's a few people sitting at the tables, and they dance during the next song.) - It's You Who Taught It To Me - Fats Waller - The Unique Mr. Waller - 2:42
- I'm Coming Virginia - Artie Shaw - Artie Shaw, King Of The Clarinet - 2:27
(I could have skipped that last one. The next two pull people away from the tables to start dancing in earnest.) - Wake Up Neesie - Kermit Ruffins - Big Easy - 5:50
- Don't You Miss Your Baby - Jimmy Witherspoon - Jimmy Witherspoon & Panama Francis' Savoy Sultans - 3:55
- One 0'clock Jump - Oscar Peterson - Oscar Peterson Plays Count Basie - 5:52
(The OP is a bit too chill for the moment (also on the long side)--I'm afraid I'm losing people to their drinks again. Also, more people are flowing in at this point, so I would rather have an up-beat vibe. The next song definitely works for that.) - Jambalaya Strut - Dr. Michael White - Dancing In The Sky - 3:46
(I thought this transition would work really well, but it flopped. Listening to it again, I don't really know what I was thinking.) - All Of Me - Della Reese - Cocktail Classics - 2:01
(To make up for it, pull out an old war-horse. The next seven songs are a steady build that works really well.) - All Right, Okay, You Win - Count Basie - Count Basie at Newport - 2:45
- Shout, Sister, Shout! - Sister Rosetta Tharpe - The Gospel of the Blues - 2:41
(My wife loves Shout Sister Shout, I just learned.) - Loose Wig - Lionel Hampton - Lionel Hampton Story 2: Flying Home - 3:04
- Savoy - Lucky Millinder - An Anthology Of Big Band Swing 1930-1955 - 3:04
(People seemed to dig the last track, which surprised me because in the past it has seemed to thin out the floor. I think to myself, okay should I relax the tempo a little after this one? Naahh...) - Thursday Evening Swing - Cats & The Fiddle - We Cats Will Swing For You - 2:28
- I Love Jazz - Louis Armstrong - Louis Armstrong - 4:39
(I Love Jazz has the floor packed. The next song is a peak, at 185 bpm. It seemed to thin out the floor.) - Flying Home - Charlie Barnet & His Orchestra - The Fabulous Swing Collection - 2:53
(In retrospect, I might have been able to push the tempo for one song further.) - Hoodle-Addle - Ray McKinley Orchestra - You Came A Long Way From St. Louis - 3:21
(The next three are a little set of nice, groovy numbers, which I think went over well.) - Bye Bye Baby, Bye Bye - Barbara Morrison - Johnny Otis Presents Barbara Morrison - 3:16
- Country Man - Carrie Smith - When You're Down and Out - 3:46
- Like It Is - Erroll Garner - That's My Kick & Gemini - 2:44
- Smack Dab In The Middle - The Deep River Boys - London Harmony - 2:59
(During Smack Dab I decide I want to play Honeysuckle Rose, which has a very different feel to it. I thought I transitioned well: male group vocal to male group vocal featuring a Stuff Smith violin solo....) - On the Sunny Side of the Street - Dizzy Gillespie - The Champ - 3:09
(...and on to another tune that features a prominent violin.) - Honeysuckle Rose - Twin Cities Hot Club - Twin Cities Hot Club - 4:47
(I'm regretting playing that Stuff Smith version of My Blue Heaven earlier. It would have been good to play here instead. I don't like the transition to the next song very much--it doesn't make sense.) - It Don't Mean A Thing If It Ain't Got That Swing - Cootie Williams - Do Nothing 'Till You Hear From Me - 3:45
(For the next track, I was looking for this groovy Ellington version of Harlem Airshaft, but I couldn't find it. I pull out The Minor Goes Muggin' instead, which kind of kills the floor because it's so frantic.) - The Minor Goes Muggin' - Duke Ellington - The Complete RCA Victor Mid-Forties Recordings - 3:00
(Since the floor has thinned, I try to pull everyone back on with a drastic drop in tempo (from 180 to 125) and a change in style.) - I Don't Care Who Knows - Catherine Russell - Sentimental Streak - 3:18
- Shake That Thing - Wynonie Harris - Risque Blues - It Ain't the Meat - 2:17
- Who Walks In When I Walk Out? with Ella Fitzgerald - Louis Armstrong - The Wonderful Duets - 2:21
- At Long Last Love - Bill Henderson - Bill Henderson With the Oscar Peterson Trio - 2:30
(The next song is slow, about 100 bpm, and long but has great, really unique energy. I knew a the start of the night that I wanted to feature it, and I figured now was a good time--just before 11 o'clock. The floor was full for it.) - Song With No Words - Asylum Street Spankers - Strawberry - 5:43
(The next song was a good transition. A friend of mine's favorite.) - Everybody Loves My Baby - Sippie Wallace - Sippie - 3:11
(I didn't know if it would work to throw the next one in there, but I figured I could experiment a little bit at the very end of my set. The previous song is 145, the next is 215, but has a relaxed feel.) - Forty Days & Forty Nights - The Blue Vipers of Brooklyn - Forty Days and Forty Nights - 2:51
- Tutti Frutti - Slim Gaillard - 1938-46 - 2:38
(The previous song and the next song are pretty chill. In retrospect, I should have probably picked punchier stuff because this time of night (just after 11 p.m.) is a threshold for some people--do I stay or do I leave now?) - All That Meat And No Potatoes - Fats Waller - The Unique Mr. Waller - 2:47
(A guaranteed crowd-pleaser to end the set.) - Blues My Naughty Sweetie Gives To Me - Sidney Bechet - The Fabulous Sidney Bechet - 5:43
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